secretmodigliani.com
| Pfannstiel | Lanthemann | Ceroni | J. Modigliani | Parisot | Patani | Restellini | Wayne |
| Nº 180 | Nº 371 | Nº 173 | YES | 25/1917 | YES | YES | ? |
Silvermann Galleries, New York
Private Collection, Connecticut
Gualino Collection, Rome
?
In process
Parrot, Blaise Cendrars, Paris, 1953, pl. 5
T. Soby, Modigliani, Museum of Modern art, New York, catalogue exp. 1951 (not illustrated only in catalogue reference - lent anonymously)
Lipchitz, Amedeo Modigliani, H.N. Abrams, New York, 1954, pl. 27 (Private Collection, Connecticut)
Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 180 (dated 1917)
Russoli, Amedeo Modigliani, Exhib. catalogue Palazzo Reale, Edizioni dell'ente manifestazioni Milanesi, Milano, 1958, pl. 35
Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 92
Scheiwiller, Arte Moderna Italiana nº 8 Amedeo Modigliani, U. Hoepli Ed. Zurich, 1958, pl. 31
Werner, Amedeo Modigliani, Cercle d'art, Paris,1968, pp. 94-95 ( oil on cardboard, dated 1917 - Riccardo Gualino Collection, Rome)
Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 371 (dated 1919)
Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 164
Castieau-Barrielle, Modigliani, ACR Editions, Paris, 1987, pp. 188-89 (dated in 1918 - Gualino Collection, Rome)
Parisot, Modigliani, Graphis Arte, 1988, p. 174
Buisson, La scuola di Parigi e Modigliani, Graphis Arte , 1989, p. 118
Orion Press, Tokyo, 1989 - nº 23
Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991- nº 25/1917 (dated 1917)
Patani, Catalogo Generale, Leonardo, Milano, 1991-94
Parisot, Modigliani, Pierre Terrail, Paris, 1992, p. 123 (as oil on canvas)
Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007
In process
New York, ?, The Museum of Modern Art, 1949- ?
Cleveland, Modigliani: Paintings, Drawings, Sculpture, Cleveland Museum of Art,1951
New York, Modigliani: Paintings, Drawings, Sculpture, The Museum of Modern Art, 1951
Miami, 1954
Palm Beach, 1954
Milano, Mostra di Amedeo Modigliani, Palazzo Reale, Curated by Franco Russoli, 1958 - nº 35 (as oil on canvas)
Roma, Modigliani, Galleria Nazionale d'Arte Moderna, 1959 - nº 25
Edinburgh, Modigliani, Royal Scottish Academy, 1963 - nº 31
London, Modigliani, Tate Gallery, 1963 - nº 31
In process
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This painting presents holes in the 4 corners of the cardboard, all of them visible:
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The known images of this work reflect a progressive change of color probably because of strong and hard cleaning that eliminated the orange layers that covered
the face making it more visually acceptable:
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Detail of the ears where the drawing is clearly visible and is painted over the color (on top of the color)
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Biography of Cendrars: LINK