Pfannstiel Lanthemann Ceroni J. Modigliani Parisot Patani Restellini Wayne Nº 154 Nº 157 Nº 129 YES 23/1916 Nº 130 YES ?
Date	1916
Title	Young woman seated - Margherita seated frontal- Margherita seated - Woman portrait
Materials	Oil on canvas
Size	81 x 40 cm? (Restellini say 80 x 39.6)
Signature:	Signed "modigliani" in bottom right in white and the text "MARGHERITA" in top right
Actual Location	Private Collection?
Provenance	-?- Leopold Zborowski, Paris Netter Collection, Paris (up to 1929) ? Frua de Angeli, Milano (by 1930) Lampugnani Collection, Milano (1946?) Carminati Collection, Milano (1949?) Barbero Collection, Domodossola ( 1975) ? Valle Collection? In process
Bibliography	-?- George, Modigliani, l’amour de l’art, Paris, 1925, p. 386 Pfannstiel, "catalogue presume" Modigliani. L'Art et la Vie. Preface de Louis Latourrettes, Seheur, Paris, 1929, p. 24 - nº 7 Poligono a. IV, n IV, Feb. 1930 Exh. Cat. Associazione fra gli amatori e i cultori delle arti figurative contemporanee, Milano, 1946 - nº . 11 Carrieri, 12 opere di Amedeo Modigliani, Ed. del Milione, Milano 1947- nº . 6 , dated in 1917 size 40 x 81 cm and located in Lampugnani Collection, Milano. Carrieri, 12 opere di Amedeo Modigliani, Ed. del Milione, Milano 1950, pl. 7, dated in 1917 size 40 x 81 cm and located in Carminati Collection, Milano. Carli, Amedeo Modigliani, De Luca, Roma 1952, pl. 15 Grosse Kunstausstellung, Haus der Kunst, Munich,1957, p. 65 Pfannstiel, Modigliani et son oeuvre, etude critique et catalogue raisonne, bibliotheque des arts, Paris, 1956 - nº 154 Russoli, Amedeo Modigliani, Exhib. catalogue Palazzo Reale, Edizioni dell'ente manifestazioni Milanesi, Milano, 1958, pl. 28 Ceroni, Amedeo Modigliani: Peintre; Suivi des Souvenirs de Lunia Czechowska, Edizioni del Milione, 1958 - nº 74 Fabri, Modigliani, Mondadori, 1963 - nº 4 Gindertael, Shop libre diffusion, 1967, p. 61, pl. 35 Lanthemann, Modigliani, catalogue raisonné: sa vie, son oeuvre, son art, G. Condal, Barcelona, 1970 - nº 157 Ceroni & Piccioni, Il dipinti di Modigliani, Rizzoli, Milano, 1970 - nº 129 Hubbard, Modigliani and the painters of Montparnasse, Lamplight Publ. New York, 1975, pl. 35, p. 45 (in Domodossola Coll.) Patani, Catalogo Generale, Leonardo, Milano, 1991-94 - nº 130 Parisot, Catalogue Raisonee Modigliani, Graphis Arte, 1991 - nº 23/1916 Decrooq-Restellini, L'Ange au visage grave, Musée du Luxembourg, Paris, 2002, pp. 246-247 Soto Caba, Modigliani, The timeless face, Libsa, Madrid, 2007 Ireson, Fraquelli, Modigliani, London, Tate Modern, Skira Rizzoli, London, 2017, p.130 In process
Exhibitions	-?- (Paris, Modigliani , Berthe Weill Gallery, 1917 - in the exhibition, nº 10 was a portrait of Margherita, could be one of the 3 known, but there is no way to say for certain which one) Venezia, Mostra retrospettiva di Modigliani – Curated by Lionello Venturi - Biennale di Venezia , Sala XII degli Appels d'Italie, 1930 - nº 9 Milano, Associazione fra gli amatori e i cultori delle arti figurative contemporanee, 1946 - nº 11 La Chaux -de-Fonds, Modern Italian Painting, Musée des Beaux-Arts, 1947 Brussels, Modigliani. Palais des beaux-arts, 1950 Roma, Modigliani, Quadriennale, 1952 Munich, Grosse Kunstausstellung, Haus der Kunst, 1957 Milano, Mostra di Amedeo Modigliani, Palazzo Reale, Curated by Franco Russoli, 1958 - nº 28 Marseille, Modigliani, Musée Cantini, 1958 - nº 12 Frankfurt, Steinernes Haus, 1963 - nº 17 Dickinson Private Advisors & Fine art dealers, New York, 2001 Paris, Modigliani: l'ange au visage grave, Musée du Luxembourg, 2002 - nº 49 Madrid, Modigliani y su tiempo, Museo Nacional Thyssen Bornemisza, 2008, Private Collection by courtesy of James Roundell Bonn, Amedeo Modigliani: Ein Mythos der Moderne, Bundesrepublik, 2009 - nº 91 London, Modigliani, Tate Modern, 2017-2018 In process
Other	D´Atri files as 296, wrong size 73 x 45 (possible origin of the mistake in Pfannstiel duplicating the number (154 - 155) and located in the Netter coll. in 1929 while the other is at Bing in 1929 ??? ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ Signature: ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ Image of the Painting at the Venice Bienale in 1930 (last on the right): ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Pre and post cleaning:
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